PIXELS
Egypt's definitive film house for culture and luxury.
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THE PROMISE
Every frame engineered
to outlive the night.
A film house in Cairo. Films, photographs and colour for the people building this country's cultural moment — artists, labels, event architects, and the brands who understand that one night, shot properly, becomes a permanent record.
COMMANDED
- Mahmut Orhan
- Massano
- Mathame
- MoBlack
- Rolbac
- Baset
- Feki
- Jawora
- Julya Karma
- Tul8te
- Abo El Anwar
- Saint Levant
- VAGA
- Mystic Evenings
- EBY BakeHouse
- Avec Karim
- Charls
- P+US Festival
- Ulter
- Saqqara
- The Citadel
- Mohamed Ali Palace
THE INDEX
Seventeen films.
HOW THE WORK IS BUILT
Nothing here is an accident.
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Camera originals are archived on offload and never cut — every edit works from copies, so the files stay exactly as they came off the card. A shoot from three years ago can still be recut from its own footage, because that footage still exists, untouched.
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The track is analysed for tempo and structure before a single clip is placed, so every cut lands on a computed frame instead of a guessed one. At 125 BPM on a 24fps timeline a beat is 11.52 frames — not 11, not 12. Rounding takes on roughly half a frame of error every beat, which is more than fifteen frames across eight bars, and the edit is visibly loose by the second chorus.
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The whole shoot is viewed, clip by clip, with notes taken per clip before anything is chosen. One frame per clip is a survey — the peak of a take almost always lives between the samples.
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The timeline is built from a written edit plan — source, in, out, position, speed — so the structure is auditable before it is beautiful. Cuts land one to two frames early so the impact reads on the beat, not after it.
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Each clip is balanced to match black point, density and highlight roll-off against its neighbours first. Only then does a single master texture sit on top. A blanket grade over mixed sources crushes some shots and barely touches others.
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Levels are delivered at −14 LUFS and −1 dBTP so nothing is re-compressed on upload — the floor of competent delivery, not a boast. Sound design is built to the same grid as the picture — the impact belongs on the cut, not near it.
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Each platform gets its own export at its own spec rather than one file reused everywhere. The master, the project and the grade are archived together so the film can be recut years later.
WHAT THIS HOUSE MAKES
- Brands & CultureAdvertising and brand films. Fashion. Music videos.
- Live & ScaleLive multicam and full-set recording. Event aftermovies and recaps.
- Private CommissionsHospitality, catering and private events. Photography.
Post, edit and colour grade sit under all three. Nothing is subcontracted.
CONTACT
Start a production.
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hello@pxlsprod.com · WhatsApp · @pxlsprod · Cairo, Egypt
PIXEL BY PIXEL.